VA - NetLabel Coalition Volume I

I'm fecking overjoyed to announce the release of the first NetLabel Coalition compilation album, which is also the first collaborative project for it's members. And not only is it a momentous occasion but it's actually a rather tasty album in itself, at least in my wholly unbiased and well considered opinion. You can download the album as a torrent from MiniNova or as a direct download from Archive.org and if you do choose to download the torrent don't forget to seed when you're done, sharing being caring and all that. And just to prove even further that I'm far better than Santa you can have a listen using the embedded, although not particular attractive, player below.
And remember to spread the word, NetLabel Coalition, The Creative UnCommons, this compilation, nothing gets out there unless you support it and spread the word.
Track List:
1: Riverdale - Recuérdame Buscar 'Amor' en el Diccionario (Lepork Records)
2: D'r Sjaak - Likkubakkus (WM Recordings)
3: Tropical Australian Stinger Research Unit - Grapefruit Gun (Rack & Ruin Records)
4: Fly Lazarus Fly - Street Lights (Binary Releases)
5: Rho - And More Rain (No-Source NetLabel)
6 :Doc & Lena Selyanina - Vienna Blue (Musictrade)
7: MetanoiaX - Aural Impression (Audiocast Productions)
8: VAD - Nu-ka (feat. Voskresenie) (MixGalaxy Records)
9: Morphamis - No More Funny Bizniz (Black Lantern Music)
10: Oxynucid - Mrs Jynx's Martian (The Centrifuge)
The Truth is Out There... SomewhereNote: The recent and hefty gap between updates has probably been noticed by anyone who pays attention to that sort of thing, just as a side note I'd like to point out that this isn't entirely down to my habitual laziness in life but is, in part, the result of a change of focus at TCUC towards more articles and in-depth pieces and away from regular reviews and features. There'll definitely still be reviews but not as a matter of routine, in fact I at least'll only be covering new releases if I feel that they're good enough to merit it. There will be less new content in the future but hopefully what there is will be more worth reading and it'll certainly make my life easier than feeling obliged to churn out reviews simply for the sake of it. And, as ever, the site still needs submissions, so if you've got something to say about free music/Open Culture then get in touch.
One of the biggest tricks the free music movement is missing at the moment is one which is all too often barred to us by the very mediums we chose to use. I've noted before, fairly bitterly in fact, the near absurd preference the scene seems to show for electronic and experimental music and, for what it's worth, I maintain that the balance we maintain genre wise is an unhealthy and all too often self-indulgent one. But I also concede that beyond almost pleading requests for labels and artists to diversify and start really delving into the opportunities offered by a cultural model which has the capacity to indulge absolutely any style of music or concept (not just the efforts of determinedly experimental bedroom producers), there's little I can, or would want, to do to redress the imbalance we have. What, however, does fall within all of our remits is the task of opening this movement up to the alternatives that we would want to see. Last Updated (Sunday, 04 April 2010 17:21)
Poetical or Political?
Poetical or Political? When I'm writing for this site, or just rambling incoherently about free music, I habitually refer to 'us', the movement that is, the free music scene which provides a common thread to bind together a vast number of completely different individuals into some sense of collective belief. Or at least that's the theory. Last Updated (Monday, 22 March 2010 14:18)
Patrick Haour Interview II
Some five months on from my first interview with then Jamendo Head of Music and general free music man of the world, Patrick Haour, I'm glad to bring you another QnA session with the fella himself. This time with the focus on where the free music movement is and where it can and should be going. Aren't I just lovely to you all? Last Updated (Friday, 19 March 2010 19:23)
Failed Experiment?
Failed Experiment? It's just about the first thing you'll notice on first arriving on the free music 'scene', that vast, all consuming ocean of Experimental music which regardless of the counter-trend still manages to make up the bulk of content released. And it's a majority output which I've always been fairly indifferent towards; despite my occasional foray into the realms of abstract 'music' and soundscapes I've never really managed to latch on to the genre, indifference dictating that I either cast the most cursory of glances towards it in my explorations or even take on a mild degree of irritation at coming across yet another impenetrable sonic structure which can only back up its own existence with essay length validations, concepts and justifications but which sorely lacks the ability to actually be listenable. But that's just me, I habitually say to myself, obviously there's a legion of individuals devoted to making such albums so, I assume, there must be at least some appreciative audience for it. A questionable idea I admit given that the only support which the genre has may just be from the self-indulgence of its creators but I'm happy enough to allow it the benefit of the doubt and admit that, occasionally, something of interest does emerge from the vast and often anonymous ranks of Experimental production.
|



